He was awarded an Oscar for lifetime achievement shortly before his death in 1995. Satyajit Ray is considered as one of the greatest directors of all times. International recognition came with Satyajit Ray’s Pather Panchali in 1955. The post-independence period saw the golden era of Indian cinema with melodious socials & melodramas. Regional culture and craving to see-hear a film in one’s own language caused the mushrooming of the regional film industries beginning with Bengali, Tamil & Telugu followed by Marathi, Gujarati, Kannada, Malayalam, Oriya, Assamese, English and several other dialects. Film songs became a Pan-Indian phenomenon. The film’s popular Hindustani dialogues and seven songs made it a big hit which resulted in other filmmakers to raise the number of songs in their films till it reached a whooping 71 in “Indrasabha”. Today India makes about 800 feature films every year.Īlam Ara (1931) was the genesis of the talkie feature films. By 1920 there was a regular industry bringing out films starting with 27 per year and reaching 207 films in 1931.
Tough there were efforts at filming stage plays earlier India’s first feature film Raja Harishchandra was made in 1913 by Dadasaheb Phalke who is known as the Father of Indian Cinema. Bhatavdekar made India’s first actuality films in 1899. Bhatavdekar started making films in Calcutta and Bombay, respectively. Birbal to ga#d pakad k hansi hans raha tha.Legacy of a 100 years Soon after the Lumiere Brothers Cinematographer unveiled six soundless short films at Bombay’s Watson’s Hotel, in 1886, Hiralal Sen and H.S.
jaldi se raajgaddi pe hagne ka intezam kijiye." Akbar ne phatti ga#d k saath Birbal ki taraf dekha. Kehne lagi, "Jahanpanah, main teen din se nahin hagi hoon. Subah -subah ra#di ne darbaar mein grand entrance maara. Birbal ne bhi Akbar ko promise kar diya ki chaahe use ga#d hi marwani kyu na pade, woh mughal sultanat ki izzat pe aanch nahin aane dega. Usne Birbal se kaha ki, ab mughal sultanat ki izzat usi ke haath mein hai. Jab Tatti-Day nazdeek aa gaya, Akbar ki ga#d bahut zyaada phat gayi. Usne socha ki baad mein ra#di pe pressure dalwa k cancel karwa dega, par wo ra#di mani hi nahii. Akbar bhi bechara kya karta, usne 15 din baad ki Date dedi. Usne ra#di ko kuch aur maangne k liye kaha, par ra#di bhi bahut chaaloo cheej thi. Woh bola, "Jo marzi maang, Jamna jaan." Ra#di boli, "Jahanpanah, mujhe aapki raajgaddi pe Tatti karni hai." Ek baar to Akbar ko samajh hi nahin aaya ki kya ye ra#di BAWLI GA#D to nahin ho gayi? Lekin woh manaa bhi nahin kar sakta tha. Akbar waise hi uske naach pe bahut fida tha. Woh Akbar se boli, "Jahanpanah, jaan ki salaamati mile to kuch arz karoon". Uske ga#du dimaag mein to kuch aur hi tha. Par woh bahut hi Ga#du kism ki aurat type). uski Ga#d katwa di jayegi." Ra#di bahut khush hui muh maange inaam ki baat sunkar. Agar teri kisi se dushmani ho to bhi bataa de. Usne ra#di ko kaha, "Jamnabai, bol tujhe kya inaam chahiye meri jaan? Sona-chandi, heere-moti, jaageer. Itni zor se naachi ki sab k Lu#d tite ho gaye. Birbal apni seat se khada hua aur bola, "Jamnabai, tumneĮk baar, Akbar ke darbar mein ek ra#di ne mujra kiya. Birbal to ga#d pakad k hansi hans raha tha. Ek baar, Akbar ke darbar mein ek ra#di ne mujra kiya.
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